German Film Festival

German Film Festival

Films about self-determination, diversity and social awareness are the focus of the 23rd German Film Festival (GFF) this year. Presented by the Goethe-Institut Singapore, 20 films – ranging from drama and documentaries, to comedies and family films – will be screened from 24 October to 10 November 2019. According to the Festival’s curator, Mr Andreas Struck, “In times when a fear of the unknown leads people to treat others in a dehumanising manner, when self-aggrandisement and claims to power storm past dignity and mindfulness, and when greed is suffocating our planet, we need films that take a stand but also remember to dream as they do so.” The GFF opening film \'All About Me\' is an award-winning story of the German entertainer and comedian, Hape Kerkeling, who overcomes great personal tragedies from his childhood. The narrative is compelling, as it is based on the biography written by the entertainer himself, charting his childhood in the Federal Republic of Germany in the 1960s and 1970s. It is the long-awaited new film by director Caroline Link, who won the Academy Award for Best Foreign Language Film in 2003 for \'Nowhere in Africa\' (2001). \'All About Me\' has been awarded recently with the Bavarian Film Awards and the German Film Awards. Mr Han Song Hiltmann, Director of Goethe-Institut Singapore, explains that this year’s GFF also celebrates the 30th anniversary of the fall of the Berlin Wall: “Our retrospective #fallingwalls will showcase films on the history of Berlin – once a divided city and hotspot of the cold war, it became a site of a peaceful revolution and unification.” Films in the #fallingwalls category are Westler, a love story between two men separated by the Berlin Wall; the cult films, \'Wings of Desire\' and \'Good Bye, Lenin!\'; and the three documentaries \'The Wall\', \'B-Movie: Lust & Sound in West Berlin 1979-1989\' and \'Berlin Bouncer\'. “But we are not only looking back in history. Especially in times when new walls are on the rise again, it might be worthwhile to remind ourselves how separation and alienation might harm us, and that dialogue, collaboration and exchange might be more challenging at first, but certainly offer many more chances in the long run,” adds Han Song Hiltmann. Several Goethe-Institutes worldwide are currently joining a social media campaign under the hashtag #fallingwalls to address issues of separation and segregation, and to promote transnational dialogue and exchange. A number of films – like \'Swimming\', \'Endzeit-Ever After\' and \'Roads\' – tell of the formation of fragile alliances as characters embark on their journey to independence, while the value of community is explored by Mehmet Akif Büyükatalay’s movie \'Oray\', in which a young Muslim’s faith is challenged by his emotions. “The filmmakers in this year’s programme demonstrate an awareness of history, giving visibility to alternatives beyond mainstream norms while enchanting us with cinematographic adventures that encourage a combination of self-determination, otherness and community,” highlights Andreas Struck in his curatorial statement. Filmgoers in Singapore will have the opportunity to get up-close and personal with Stephanie Amarell, leading actress of \'Swimming\', Carolina Hellsgård director of \'Endzeit -Ever After\' and Mehmet Akif Büyükatalay director of \'Oray\' at post-show events. Since the first film week in 1978, the GFF has reached out to a growing audience in Singapore. The 23rd edition of the Festival is presented with the cooperation of established partners, such´as The Projector and Golden Village, as well as Evonik, the main Festival supporter. The collaboration with the Singapore Botanic Gardens continues with a free outdoor screening of the children’s animation movie \'Marnie’s World\'. New collaborations are also forged with the German European School Singapore (GESS) and Our Tampines Hub. Tickets went on sale on 10 October 2019. For more information about the Festival, please visit http://www.goethe.de/singapore/GermanFilmFestival.

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